A tour of the sounds of the city through the ear of a balloon.
Latex balloons, six meters audio cable, semi-binaural microphones, audio recorder, headphones.
Commissioned by Newcastle City Council, for the exhibition Creative Stuff in Public Space (May 2011), part of the festival Invisible Architecture, Newcastle Upon Tyne, Sept. 2011.
A tour of the sounds of the city through the ear of a balloon.
Latex balloons, six meters audio cable, semi-binaural microphones, audio recorder, headphones.
Commissioned by Newcastle City Council, for the exhibition Creative Stuff in Public Space (May 2011), part of the festival Invisible Architecture, Newcastle Upon Tyne, Sept. 2011.
Soundtrack composition for multichannel audio-video installation; Soundtrack composition for promotional videos - The installation provides a critical space to be alone with films from the British Empire and Commonwealth Collection (BECC), aiming to challenge the ways in which colonial film footage can be presented and experienced. A commission by IC Visual Lab, Bristol (2018), curated and designed by Alejandro Acin and Isaac Blease, in collaboration with Nick Diacre (Software Design), Edson Burton (Narration author and voice) and Daniel Bosworth (building).
Loom: Chartless Rudderless Night is a collaboration between choreographer Claire Pençak, dancers Merav Israel and Will Thorburn, moving image artist John McGeoch and composers Helen Papaioannou and Alessandro Altavilla. It is part of the Loom project, and here the loom is inspired by the lighthouses of Orkney.
An Arbitrary System For Tuning Fabrics is a series of responsive, embroidered textiles for delicate digital sound control designed in collaboration with Berit Greinke.
A site-specific installation by Ewelina Aleksandrowicz, Alessandro Altavilla, Andrzej Wojtas.
Osmosis is a sonic response to the physical and infrastructural characteristics of 5 Forth Street in Newcastle UponTyne, a space carved from one of the main railways bridges of the city.